Our poetry series is for poets who love trying new techniques. Visit our site on every 5th (5th, 15th, and 25th) to see which poem has inspired a lesson in thinking and writing.
Wildflowers :: 4 Requirements of Songs
Dolly Parton’s “Wildflowers” is structured around an extended metaphor. The song itself has a catchy tune, one of the best by Parton. Find the lyrics here. View a video here: from YouTube.
Music with Poetry = Country Music
Country music is the venue of poets who love to play with music, much more so than rock and pop, which may occasionally dip into the tropes. More than rock, which usually depends on a guitar riff or other elements, country music is known for its strong use of imagery and figurative language.
Here are four excellent examples of the imagery and figurative language that elevates country music FAR above other genres.
Johnny Cash’s “Ring of Fire”
Kathy Mattea’s “Standing Knee Deep in a River”
Dixie Chicks’ “Wide Open Spaces”
Garth Brooks’ “The Thunder Rolls”
Dolly Parton is one of the great performing songwriter/poets.
More than any other communication, poetry should speak clearly and from the heart. Music-driven poetry should also provide strong lines and powerful imagery. “Wildflowers” fits these four requirements.
An extended metaphor keeps everything tied together.
The persona is a wildflower. Unlike other flowers, she refuses to wither. She has a dream she is determined to pursue, so the wild mountain rose uproots herself from safety and security. As she says in her refrain, “When a flower grows wild, it can always survive. / Wildflowers don’t care where they grow.”
Parton’s imagery strengthens the extended metaphor into a powerful message.
Wildflowers that remain in the safe but crippling home garden die in the sun. Rather than become strong themselves, which is the nature of the wildflower, the garden flowers allow themselves to be kept weak. The sun truly will burn up a plant, but I wonder if this is Parton telling women not to be wholly dependent on a man (sun > son). She is not anti-man; after all, she “hitched a ride with the wind . . . HE was my friend.”
She presents that men who try to stifle women and women who CHOOSE to be stifled are all weak. As she writes, the weak and stifled lack a strong independent nature: The flowers that don’t pursue dreams (these garden-rooted weak women) are “content to be lost in the crowd / . . . common and close . . . no room for growth. / [while] I wanted so much to branch out.”
Clear Heart-felt Message
Perhaps her “fast and wild” upbringing caused her to “uproot herself and take to the road”. Perhaps the isolation she felt in the garden “so different from me” drove her decision.
Whether either or both, she “never belonged, I just longed to be gone / so the garden one day set me free”.
Who has not struggled with rebelling against conformity?
Who has not felt isolated from those around us?
And who of us has dreamed—yet hesitated to pursue the dream? We hesitate, for it requires abandoning our safety net.
When writers connect to audience, their words often provide an impetus for us. “Wildflowers” wants us to let go of whatever withers us, release the anonymity of the mass blob of the crowd, and hitch our dream to the wind. We are promised room for growth. We are promised us.
“Success is a journey, not a destination. The doing is usually more important than the outcome.” ~ Arthur Ashe Jr. (1943-1993)